Waiting for Armageddon

Opening at Cinema Village in New York this weekend: Waiting for Armageddon, directed by Kate Davis, David Heilbroner and Franco Sacchi

Synopsis from the film's website:


America's 50-million strong Evangelical community is convinced that the world's future is foretold in Biblical prophecy - from the Rapture to the Battle of Armageddon. This astonishing documentary explores their world - in their homes, at conferences, and on a wide-ranging tour of Israel. By interweaving Christian, Zionist, Jewish and critical perspectives along with telling archival materials, the filmmakers probe the politically powerful - and potentially explosive - alliance between Evangelical Christians and Israel...an alliance that may set the stage for what one prominent Evangelical leader calls "World War III."


The film opens with portraits of three Evangelical families – James and Laura Bagg, a Connecticut couple who work as military jet-propulsion engineers, Tony and Devonna Edwards in McAlester, Oklahoma, and Dr. H. Wayne House in Salem, Oregon—all certain that upon Christ's Second Coming they will be "raptured," or lifted into the skies to join Christ while the rest of humanity suffers for seven years during “The Tribulation." The Edwards' daughters, in particular, struggle with their own future. If they are raptured soon, how will they ever marry, or have children of their own?


Despite their very different lives and locations, all three families find the modern world laden with symbolism that suggests the End Times are at hand, and they proclaim the immense importance of Israel, where the battle of Armageddon will leave the earth ravaged, before Christ creates a new and perfect world.

The film then follows Wayne House and fellow minister Robert Dean as they lead a Christian Study Tour group to Israel — among the tens of thousands of Evangelicals who pour into the Holy Land each year. As Wayne and Robert baptize their entourage in the River Jordon, sing the US national anthem on the Sea of Galilee, proclaim love for Israel, and describe how the Dome of the Rock, one of the holiest sites in Islam, must be destroyed in order for Jesus to return, a revealing and controversial relationship between Christian Evangelicals, Jews, and Muslims emerges.

Finally, we follow Wayne House and Robert Dean to a massive gathering in Dallas, Texas, where Evangelicals debate, in highly sophisticated terms, the need to spread Biblical literalism to counter the dangerous effects of post-modernism. The climax of the conference comes as Pastor John Hagee, the enormously influential Texas Minister of an 18,000-member megachurch, declares, "World War III has started."


By portraying the Evangelical apocalyptic worldview from within their community, Waiting for Armageddon seeks to clarify the elusive relationship between Christian Zionists and Jews, and foster dialogue among dissenting groups. In the end, the film asks whether this large American voting block is creating a self-fulfilling prophecy of international holy war.

Mine

Opening at the Roxie Theater in San Francisco this weekend: Mine, directed by Geralyn Pezanoski

Synopsis from the film's website:

Hailed as "absorbing," "a must see," "Oscar material" and "the best movie at SXSW," Mine is a documentary about the essential bond between humans and animals, set against the backdrop of one of the worst natural disasters in modern U.S. history: Hurricane Katrina. This gripping, character-driven story follows New Orleans residents as they attempt the daunting task of trying to reunite with their pets who have been adopted by families all over the country, and chronicles the custody battles that arise when two families love the same pet. Who determines the fate of the animals—and the people—involved? A compelling meditation on race, class and the power of compassion, Mine examines how we treat animals as an extension of how we view and treat each other.

To Catch a Dollar: Muhammad Yunus Banks on America

Showing at Sundance later this month: To Catch a Dollar: Muhammad Yunus Banks on America, directed by Gayle Ferraro

Synopsis from Sundance's website:

What prevents poor people from getting ahead? Banks refuse to give credit without collateral. Where commercial banks see insolvency, Nobel Prize–winning economist Muhammad Yunus sees opportunity. His groundbreaking Grameen Bank was built on the radical notion that if you loan poor women money within the context of peer support, not only will they repay and sustain the bank, but they’ll elevate their communities in the process.

With millions of microloans to rural entrepreneurs in developing countries, Grameen is now audaciously importing its methods to the bastion of first-world capitalism: the U.S.A. First stop: Queens, New York. With an intimate camera capturing both buoyant and despairing moments, To Catch a Dollar chronicles the evolution of the tiny new branch. Will the solidarity principles translate to a diverse group of inner-city women? As the banking industry collapses, will these intrepid social-justice financiers succeed? One thing’s clear: we need new models to ensure prosperity for all.

Can't find a trailer, but here is an interview with Muhammad Yunus:

In Search of Memory

Opening this weekend at the IFC Center: In Search of Memory, directed by Petra Seeger

Synopsis from the film's website:

"Memory is everything. Without it we are nothing," says neuroscientist Eric Kandel, winner of the Nobel Prize for his groundbreaking research on the physiology of the brain's storage of memories. As he explains, memory is the glue that binds our mental life together and provides a sense of continuity in our lives.

In Search of Memory is a compelling blend of autobiography and history that recounts the life of one of the most important neuroscientists of the 20th century and illuminates scientific developments in our understanding of the brain's role in recording and preserving memory. In addition to archival footage and dramatic re-creations of Kandel's childhood experiences in Nazi-occupied Vienna and his formative years as an emigrant in New York, the film features discussions with Kandel, friends and family, as well as his public lectures in Vienna and New York, which explore both his professional and personal life, especially his emotional ties to Judaism.


Both through its personal journey into the memory of this amazingly spry and witty 79-year old, especially his traumatic experiences during the Holocaust, and a visit to his Columbia University laboratory, where Kandel and his colleagues demonstrate their experimental research, In Search of Memory examines how the brain stores memories, the difference between short-term and long-term memory, Alzheimer's and age-related memory loss, and structural modifications to the brain that enhance memory.


In revisiting the people, places and objects of Kandel's lifetime experiences, In Search of Memory reveals how everything we undergo changes the brain, even our genetic make-up, and can determine the focus of a life's work.

Garbage Dreams: Raised in the Trash Trade

Opening today at the IFC Center: Garbage Dreams: Raised in the Trash Trade, directed by Mai Iskander

Synopsis from the film's website:

Filmed over four years, Garbage Dreams follows three teenage boys – Adham, a bright precocious 17-year-old; Osama, a charming impish 16-year-old; Nabil, a shy artistic 18-year-old – born into the trash trade and growing up in the world’s largest garbage village, a ghetto located on the outskirts of Cairo. It is a world folded onto itself, an impenetrable labyrinth of narrow roadways camouflaged by trash; it is home to 60,000 Zaballeen (or Zabbaleen), Egypt’s “garbage people.”

For generations, the residents of Cairo have depended on the Zaballeen to collect their trash, paying them only a minimal amount for their garbage collection services. The Zaballeen survive by recycling the city’s waste. These entrepreneurial garbage workers recycle 80% of all the garbage they collect, creating what is arguably the world’s most efficient waste disposal system.

When the city they keep clean suddenly decides to replace the Zaballeen with multinational garbage disposal companies, the Zaballeen community finds itself at a crossroads. Face to face with the globalization of their trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community.

In Theaters: Sita Sings the Blues

Showing at the IFC Center: Sita Sings the Blues, written and directed by Nina Paley

Netflix It: Mansfield Park

Available from Netflix: Mansfield Park, directed by Patricia Rozema

Warning: This is a very "free" adaptation, more of a Jane Austen pastiche (with a very similar plot) than a faithful adaptation. If you haven't read the novel, you'll enjoy the movie, but if you have, the differences will drive you up a wall.

Synopsis from AllMovie.com:

Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund — to the disappointment of Fanny, who has fallen in love with him.