A girl rides a galloping horse through the middle of heavy traffic—a striking metaphor for the chaotic lives of homeless teenage girls in Cairo. Meet Tata, Reda, Maryam, Dunya, and Abeer (whose father wants to kill her because she is pregnant). Surrounded by a circus of activity, the girls fight, laugh, brag, sniff glue and pop pills to help them deal with assaults and danger. They confront the cops, argue with guys hanging out on the streets, nurse their babies, and sleep in derelict cars and alleyways to escape being beaten, kidnapped, or raped. Fiercely protective of each other, they confide in “big sister” Hind, a middle-class religious woman who visits them to provide non-judgmental love and advice. Rached’s respect for the girls’ courage and sassiness shines throughout the film. Alternately rowdy and tender, joyous and terrifying, the dangerous carnival of these girls’ lives resonates palpably in this masterful and compassionate film. - Lynne Fernie
Filmed over four years, Garbage Dreams follows three teenage boys – Adham, a bright precocious 17-year-old; Osama, a charming impish 16-year-old; Nabil, a shy artistic 18-year-old – born into the trash trade and growing up in the world’s largest garbage village, a ghetto located on the outskirts of Cairo. It is a world folded onto itself, an impenetrable labyrinth of narrow roadways camouflaged by trash; it is home to 60,000 Zaballeen (or Zabbaleen), Egypt’s “garbage people.”
For generations, the residents of Cairo have depended on the Zaballeen to collect their trash, paying them only a minimal amount for their garbage collection services. The Zaballeen survive by recycling the city’s waste. These entrepreneurial garbage workers recycle 80% of all the garbage they collect, creating what is arguably the world’s most efficient waste disposal system.
When the city they keep clean suddenly decides to replace the Zaballeen with multinational garbage disposal companies, the Zaballeen community finds itself at a crossroads. Face to face with the globalization of their trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community.
With her latest feature, Ruba Nadda delves into the emotionally fraught territory of the fleeting affair. In a tremendous performance, Patricia Clarkson plays Juliette, a magazine editor. Vaguely dissatisfied with her job, Juliette follows her Canadian diplomat husband, Mark (Tom McCamus), to Cairo. When she arrives, however, she learns that he's been held up in the Palestinian territories due to escalating tensions in the region. Left to wait, Juliette soon discovers that the streets of Cairo can be tough terrain for a woman on her own.
Enter Tareq (Alexander Siddig), an old friend of Mark's who becomes Juliette's companion and guide, introducing her to various Egyptian customs. The city's grandeur comes alive as he leads her through the beguiling streets of Cairo. While they wander side by side, Juliette senses an alluring kindness and charm in Tareq, and he is equally taken with her. As she waits for word on her husband's imminent arrival, the two struggle to control their obvious mutual attraction. The pyramids beckon, offering a gentle reflection of the epic desire building between the tourist and her guide. Their bond becomes increasingly complex as it evolves: is this a profound friendship or something else? Adding to the discomfort is the obvious loyalty they both feel to the man they have in common – Juliette's husband and Tareq's friend – who is physically absent but still present in their minds.
Nadda directs her own screenplay, managing to avoid the stereotypical pitfalls such an undertaking could have easily delivered. And Clarkson so owns her role that it's difficult to imagine another actor having taken it on. Even if you've never been to Egypt, Cairo Time will have a ring of familiarity; the film evocatively serves as an analogy for the intricacies of passionate romances that, for practical reasons, can never be realized. Like a sensuous vacation, Cairo Time's sweet melancholia will linger long after the final credits roll.
Today is the final of the African Nations Cup 2008. And today eight characters will be dealing with different situations, which further complicate their already complicated lives. But the victory of the Egyptian team makes them forget their problems, even if only for one night, the night their team won by “One-Zero.”
As you may know, the percentage of women directors hovers around 9%, which is a ridiculous statistic in 2009 (or ever). It's not (just) that Hollywood is sexist—-if female directors brought in the big bucks on opening weekend, studio heads would certainly sit up and take notice, as might Oscar voters. But how to find out when these films are showing? Well... come here! (Update: Hmm, the same year I start this blog, the Academy nominates TWO female-directed movies for Best Picture! Coincidence?)
