Opening this weekend: Patrik, Age 1.5, directed by Ella Lemhagen
Synopsis from AllMovie:
A married pair of ex-urbanites relocates to a small village in hopes of starting a family, only to receive an unexpected surprise thanks to a mix-up at the adoption agency. Sven and Göran are finally set to realize their shared dream of becoming parents. In preparation, the happy couple even decides to leave city life behind in favor of moving to a quaint village in the country. Unfortunately, the local villagers don't exactly extend a warm welcome to the optimistic couple; while some greet them with outright hostility, most are content simply to shun them. Upon receiving news that the adoption agency was unable to locate a suitable international baby, Sven and Göran agree to take in a local orphan. On paper, Patrik was listed as being age 1.5, though upon meeting their new adopted child it quickly becomes apparent to Sven and Göran that someone misplaced a decimal point. In reality, Patrik is a homophobic 15-year-old juvenile delinquent who's none too happy about being taken in by a pair of aging gay men. Still, Göran recognizes that Patrik needs a home, and agrees to put the openly hostile boy up until he and Sven can find a more suitable place for him to live. But former street punk Sven isn't quite as accommodating due to the fact that he knows well what a young ruffian such as Patrik may be capable of. Over time, Sven's trepidation about Patrik prompts him to confront not only his own misgivings about marriage and suburban living, but his long-buried feelings about his own estranged son from a previous marriage as well.
Showing posts with label sweden. Show all posts
Showing posts with label sweden. Show all posts
Friday, August 6, 2010
Friday, April 23, 2010
Way of Nature
Showing at the San Francisco International Film Festival: Way of Nature, directed by Nina Hedenius
Synopsis from the SFIFF website:
Sit back and let the daily grind and digital blur of our modern predicament wash away before this mostly wordless meditation on the seasonal ebb and flow of life on a remote Swedish farm. Sights and sounds build to create an elegantly subtle drama of daily chores seamlessly interspersed with beautifully understated shots of falling snow, snoozing dogs and goats, blooming spring flowers, roaming livestock, dense forests, lush pastures and birthing cows and horses. Immersed in, and treated to, images that nourish, relax and, at times, astonish, one begins to appreciate the subtleties and trials of a life outside of our own. Time-honed tasks are observed as rituals that seem to pull us back to a primal past, as hand-bound and hard-won repetitions become the dialogue of the film and the diverse animals its main mesmerizing characters. At certain points, the film’s languid pace slows a beat more to dwell exquisitely on animal bodies. Revealing magnificent patterns and textures upon their hides, fur and feathers, they become visuals that might make a fiber artist dream or an abstract expressionist weep. Even the construction of fences takes on an ancient quality that seems to speak to us of Nordic roots when we view the distinct beauty of the final creation. Here, on but one farm, far from the hype of “green” marketing, it is—and always has been—a generational necessity to nourish biodiversity and sustainability. Here the “way of nature” is simply the way of life. —Sean Diggins
Synopsis from the SFIFF website:
Sit back and let the daily grind and digital blur of our modern predicament wash away before this mostly wordless meditation on the seasonal ebb and flow of life on a remote Swedish farm. Sights and sounds build to create an elegantly subtle drama of daily chores seamlessly interspersed with beautifully understated shots of falling snow, snoozing dogs and goats, blooming spring flowers, roaming livestock, dense forests, lush pastures and birthing cows and horses. Immersed in, and treated to, images that nourish, relax and, at times, astonish, one begins to appreciate the subtleties and trials of a life outside of our own. Time-honed tasks are observed as rituals that seem to pull us back to a primal past, as hand-bound and hard-won repetitions become the dialogue of the film and the diverse animals its main mesmerizing characters. At certain points, the film’s languid pace slows a beat more to dwell exquisitely on animal bodies. Revealing magnificent patterns and textures upon their hides, fur and feathers, they become visuals that might make a fiber artist dream or an abstract expressionist weep. Even the construction of fences takes on an ancient quality that seems to speak to us of Nordic roots when we view the distinct beauty of the final creation. Here, on but one farm, far from the hype of “green” marketing, it is—and always has been—a generational necessity to nourish biodiversity and sustainability. Here the “way of nature” is simply the way of life. —Sean Diggins
Friday, September 11, 2009
Starring Maja

Opening this weekend: Starring Maja, directed by Teresa Fabik
Synopsis from the movie's website:
In a hopelessly small town somewhere in long and narrow Sweden, lives Maja, 18 years old. Her life’s dream is to become an actress.
She wants to be the center of attention, she wants everyone to see her, wants them to see the beautiful human being she is on the inside. Only it’s a little hard to see. Heavily overweight, clumsy and socially inept, Maja struggles to realize her life’s dream during her final term at high school.
Her road to success is lined with comedy and tragedy, as she is dogged by the prejudices of the people around her against someone with the ”wrong” appearance. Yet she struggles on regardless, trying to find the strength and the self-esteem necessary to really take center stage – on her own feet and on her own terms.
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