Kathryn Bigelow's fourth action film follows FBI agent Johnny Utah (Keanu Reeves) as he goes undercover to infiltrate a cache of Southern California surfers suspected of robbing banks. Utah, a former football player, is assigned to Los Angeles. There, four bank robbers, who wear rubber masks and call themselves "Ex-Presidents," have executed a series of successful robberies which embarrassingly have the FBI stumped. Utah, and his partner Pappas (Gary Busey) suspect that the robbers are surfers and hatch a plan for catching them.
Available on Netflix: Strange Days, directed by Kathryn Bigelow
Confession: I haven't seen this movie since I was a teenager, and the rape scene made me too uncomfortable to focus on anything else about the movie (though I think the sharing-senses technology would make a handy diagnostic tool for out-of-touch doctors if someone would go ahead and invent it already), but this essay from the Bitch Magazine website makes me want to give it another chance. What say you?
Set in Los Angeles two days before the end of 1999, Strange Days introduces us to Lenny Nero (Ralph Fiennes), an ex-cop turned sleazy hustler who hawks the newest underground thrill on the black market: a "squid," a headpiece that allows one to transmit digital recordings of other people's thoughts, feelings, and memories into their brain; as Lenny describes it, "this is real life, pure and uncut, straight from the cerebral cortex." Lenny deals "clips" (the software) as well as "squids" (the hardware) for this new and illegal entertainment system, and while sex and violence are the most popular themes, Lenny refuses to deal in "blackjack" — slang for snuff clips. Lenny is nursing a broken heart after his girlfriend, punk singer Faith Justin (Juliette Lewis), left him, and he spends a lot of time with clips he recorded when they were together. Faith is now involved with Philo Grant (Michael Wincott), a music business tycoon who once managed Jeriko One (Glenn Plummer), a hip-hop musician and political activist whose murder has sent L.A. into a state of chaos. When a clip emerges that shows that Jeriko was killed by L.A. police officers, Lenny finds his life in danger, and he tries to escape possible death on both sides of the law with the help of his friend Mace Mason (Angela Bassett).
A real-life historical incident becomes the basis for this military thriller from director Kathryn Bigelow that's reminiscent of such submarine dramas as Das Boot (1981), The Hunt for Red October (1990), Crimson Tide (1995), and U-571 (2000). Harrison Ford stars as Captain Alexi Vostrikov, a Russian naval officer who's being given command of the Soviet Union's first nuclear submarine, K-19, at the height of the Cold War in 1961. The vessel's previous commander, Captain Mikhail Polenin (Liam Neeson) has been demoted to executive officer following a botched test and his outspoken assertions that the flagship is not yet ready for deployment, but he curbs his resentment and resolves to serve his new superior well. Polenin's concerns are well founded: parts are not yet installed, equipment is missing, and the ship's doctor is killed in an auto mishap. Political pressure forces Vostrikov to sail his crew into the North Atlantic anyway, for a missile fire test that serves as a warning to the U.S. that its enemy is now its technological equal. The test is a success, but a disastrous leak in the K-19's reactor cooling system soon threatens to create enough heat to detonate the craft's nuclear payload -- which would certainly be mistaken for the first salvo in a worldwide atomic exchange and spark the beginning of World War III. With no other option, Vostrikov orders his men to repair the damage in ten-minute shifts, irradiating them hopelessly. The conflict between the seemingly bureaucratic Communist Vostrikov and the more humane Polenin escalates, until a surprising twist reveals where both officers' loyalties truly lie.
In Kathryn Bigelow's tale of vampires in the American Southwest, the creatures of the night aren't elegant, cloaked aristocrats. They're a gun-toting gang that dresses and acts like a motorcycle gang. Caleb (Adrian Pasdar), a restless young man from a small farm town, meets an alluring drifter named Mae (Jenny Wright). She reveals herself to be a vampire, who "turns" Caleb into one of her kind rather than kill him. But the rest of her "family" is slow to accept the newcomer. The ancient leader, Jesse (Lance Henriksen), and his psychotic henchman Severen (Bill Paxton) lay down the law; Caleb has to carry his own weight or die. However, he can't bring himself to kill. He manages to win the gang's approval when he rescues them from certain death in a daytime gunfight during a spectacular motel shoot-out in which every bullet hole lets in a deadly ray of sunlight. When the vampires threaten Caleb's real family, he's forced to choose between life and death. The film avoids the complex vampire mythology of such films as Interview with the Vampire. Instead, it emphasizes the intense, seductive bond that forms between Caleb and the violent but tightly knit gang.
Opening this weekend: The Hurt Locker, directed by Kathryn Bigelow
On the one hand, this big-budget action movie has the potential to become a huge summer hit. On the other hand, it is about the war in Iraq, about which, apparently no one wants to watch movies.
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military's unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives doing one of the world's most dangerous jobs. Three members of the Army's elite Explosive Ordnance Disposal (EOD) squad battle insurgents and one another as they search for and disarm a wave of roadside bombs on the streets of Baghdad—in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear—protect and save—but it's anything but easy, as the margin of error when defusing a war-zone bomb is zero. This thrilling and heart-pounding look at the psychology of bomb technicians and the effects of risk and danger on the human psyche is a fictional tale inspired by real events by journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq. In Iraq, it is soldier vernacular to speak of explosions as sending you to "the hurt locker."
The New York Times ran an article about Kathryn Bigelow a few days ago, and loved this movie.
As you may know, the percentage of women directors hovers around 9%, which is a ridiculous statistic in 2009 (or ever). It's not (just) that Hollywood is sexist—-if female directors brought in the big bucks on opening weekend, studio heads would certainly sit up and take notice, as might Oscar voters. But how to find out when these films are showing? Well... come here! (Update: Hmm, the same year I start this blog, the Academy nominates TWO female-directed movies for Best Picture! Coincidence?)
