BAFTA-winning short filmmaker Hattie Dalton makes an auspicious feature debut with this poignant but still screamingly funny paean to making the most of life – while you still can. James (Benedict Cumberbatch) invites his three closest friends to join him on a road trip to his favourite place in the world. Like many an impulsive group holiday, however, the undertaking proves fraught with practical difficulties, surreal encounters and emotionally ravaging revelations... With a vibrant, witty and insightful script by Vaughan Sivell, and a quartet of excellent lead performances from the UK’s finest young actors, this is a moving, pertinent and unpredictable film, and a fantastic showcase of new and promising British film talent.
This is the story of a rational, sceptical woman, a mother and wife, who does not remember her dreams. Except once, when she dreamt her horse was dying. She woke so scared she went outside in the night. She found him dead. The next dream told her she would die herself, when she was 48.
The Edge of Dreaming charts every step of that year. The film explores life and death in the context of a warm and loving family, whose happiness is increasingly threatened as the dream seems to be proving true. From the kids reaction to their horses' death (they taught the dog a new trick – called 'dead dog'), the film mixes humour, science and married life as Amy attempts to understand what is happening to her.
Everyone wrestles with the concept of their own mortality, but few so directly explore and confront the subject. When Amy fell seriously ill, as her dream predicted, she went on a search to change that dream, leading her to eminent neuroscientist Mark Solms, and to new understanding of the complexity of our brains. The final confrontation takes us back into her dream with the help of a shaman, revealing a surprising twist to the tale.
Disheveled private eye Nico Beamonte’s latest case comes from God himself … possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style – as if film noir had collided with props left over from a Ray Harryhausen film.
Blurring the boundary between reality and fiction, Perestroika retraces a journey made exactly 20 years previously, in an attempt to come to terms with the death of a close friend. Hypnotic and haunting imagery and evocative soundscapes draw the viewer into a mysterious space of reflection, caught between past and present. The journey itself – which interweaves footage from the original trip – becomes a metaphor for the process of remembering and reexperiencing.
Nairobi, Kenya. 14 year-old Abila lives with his parents in Kibera, one of the largest slums in East Africa. One morning the teenager discovers his father ill and delirious. Someone has stolen his soul, mumbles the father as he sits huddled in a corner. Abila is shocked and confused but wants to help his father and goes in search of a suitable cure. Supported by his friend Shiku who is the same age as him, he learns that his father has gambled his soul away in the company of a spiritual woman. The teenager doesn’t want to believe it and sets about looking for the witch. When he finally discovers her in the darkest corner of the ghetto, she gives him seven challenging tasks to save his father’s lost soul. Abila embarks on an adventurous journey which leads him right through the microcosm of his home town.
Along the way the Afghan cricket team won three tournaments to make it to South Africa and the World Cup qualifier. They were the first nation ever to rise from cricket's lowest league to this level. That a nation riven by war, marred by corruption and fractured by poverty could achieve this makes the story all the more remarkable. Out of the Ashes is the ultimate David and Goliath film.
The team, with very little funding, no facilities and a lack of infrastructure, have achieved what no one else has managed. At a time when Afghanistan is in the news for suicide bombers, drugs and rigged elections, this film shows a more human side to a country too often associated with tragedy.
We were there when the team swam in the sea for the first time, ate fish and chips, watched the samba and gate crashed an English wedding. We were there when they faced their greatest challenge in South Africa and filmed their return to Afghanistan.
Thai cinema continues to come of age with this exciting debut. Pun is a home nurse, tending to the recently paralysed and angry Ake, who has a fractious relationship with his father. As tensions boil, a mundane day trip reveals how fragile the universe is, and a life-affirming change takes place. Featuring an astounding planetarium scene, this deeply felt cry for change is simply spellbinding.
Bettina is said to be the most beautiful woman to have ever lived in the legendary Chelsea Hotel in New York City, according to residents, yet has hidden herself away in her studio for over 40 years. She sleeps on a lawn-chair and surrounds herself with boxes stacked from floor to ceiling, filled with works of her art that have never seen the light of day. These boxes hide a stunning body of work - but it's come at a huge cost. Her life as a reclusive guardian over her creativity and artwork inspires us to think about the world that we have each chosen for ourselves, how we are captive of it or freed by it.
During humorous, intimate and provocative moments, first-time director Corinne van der Borch develops a delicate friendship with Bettina and gradually unveils the life of one of New York's last true eccentrics.
No trailer on YouTube yet, but you can watch the trailer on the EIFF website, on the film's website or on the film's KickStarter page. (About KickStarter—van der Borch needs a few more grand to finish technical stuff on the movie before the EIFF. Looks like a worthy cause to me!)
Donkeys is a bittersweet, tragicomic tale. When Alfred learns of his impending death he realises it’s time to make amends with his estranged family. However before things get better they get a whole lot worse and a blast from the past injects calamity, comedy and confusion into Alfred’s efforts.
Directed by Nelofer Pazira, the star of Mohsen Makhmalbaf’s acclaimed Kandahar and co-director of the documentary Return to Kandahar, Act of Dishonour is a compelling drama in which East and West, love and honour, modernity and custom clash with tragic consequences. In this rich microcosm of a fractured society, many stories intertwine, including those of Mejgan (played by Pazira), the Afghan-Canadian translator who befriends Mena, and thoughtful Ali, a member of an ethnic minority who wrestles with the prospect of eternal exile from his childhood home.
Act of Dishonour shuns easy answers, challenging rigid moral paradigms and preconceptions on both sides of the cultural divide. This eloquent, nuanced portrait of life in Afghanistan is part lament against injustice, part testament to the spirit of a people who have survived decades of war.
Reacting impulsively to an inappropriate crush, a respectable young teacher lays her safety on the line for a grubby petty thief. Before she knows it, she's on the run — Bonnie to his Clyde, appropriately accompanied by Depression-era American folk tunes. Wayward, warm and genuinely unpredictable, this is a beautifully directed film, and a worthy vehicle for its late lead's idiosyncratic talents.
As you may know, the percentage of women directors hovers around 9%, which is a ridiculous statistic in 2009 (or ever). It's not (just) that Hollywood is sexist—-if female directors brought in the big bucks on opening weekend, studio heads would certainly sit up and take notice, as might Oscar voters. But how to find out when these films are showing? Well... come here! (Update: Hmm, the same year I start this blog, the Academy nominates TWO female-directed movies for Best Picture! Coincidence?)
