Synopsis from the SFIFF website:
Charlie Barker has been having a real tough time of things lately. Sure, everybody seems to agree that he is an immensely talented performer of a higher pedigree than most, yet that doesn’t seem to be helping him land any roles. In fact, his days of regular work have slowly withered since moving back to New York to pursue a purer artistic sensibility in his chosen craft. Meanwhile, his mediocre acquaintances have achieved unprecedented success despite the abysmal lack of values and aptitude that Charlie possesses, a horrifying fact of show business that has only made him more bitter as he ages. Luckily, his no-nonsense and somewhat demanding wife Stella has allowed him to enjoy luxurious comfort by toiling vigilantly in a career as a producer for a high-rated talk show. The couple even has planned to adopt a Chinese baby and start a family. Then one evening, at an industry party to which he’s been unceremoniously dragged, Charlie meets Clea, a vapid young twentysomething whose prime achievement appears to be the ability to fill out a tight dress. Her insipid delirium instantly frustrates him, but little does Charlie Barker know that this ambitious blonde temptress has set him in her sights. Amy Glazer’s second feature wryly dissects the vacuous nature of the New York entertainment scene with salacious zeal and dark wit, mercilessly skewering the ruthless politics, spirit-crushing resentment and utter loss of dignity that goes hand in hand with art. —Landon Zakheim
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